000			03131cam a2200373 a 4500
999			_c80112 _d80112
003			BJBSDDR
005			20230410130755.0
007			ta
008			081016s2009 nyua b 001 0 eng
020			_a9780195365627
020			_a0195365623
035			_a15486268
035			_a(OCoLC)ocn262430698
035			_a(OCoLC)262430698
040			_aDLC _cDLC _bspa
041			_aeng
050	1	4	_aPN 1994 _bF487 2009
082	0	0	_a791.43 _222
245	0	0	_aFilm theory and criticism : _bintroductory readings / _cedited by Leo Braudy, Marshall Cohen.
250			_a7th ed.
260			_aNew York : _bOxford University Press, _c2009.
300			_axvii, 905 p. : _bill. ; _c24 cm.
504			_aIncludes bibliographical references and index.
505			_aAf indholdet: S. 1-140: Film language. -- S. 141-240: Film and reality. -- S. 341-444: Film narrative and the other arts. -- S. 529-658: Film genres. -- S. 659-776: Film: spectator and audience
520			_aSince publication of the first edition in 1974, Leo Braudy and Marshall Cohen's Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Now in its seventh edition, this landmark text continues to offer outstanding coverage of more than a century of thought and writing about the movies. Incorporating classic texts by pioneers in film theory-including Rudolf Arnheim, Siegfried Kracauer, and Andre Bazin-and cutting-edge essays by such contemporary scholars as David Bordwell, Tania Modleski, Thomas Schatz, and Richard Dyer, the book examines both historical and theoretical viewpoints on the subject. Building upon the wide range of selections and the extensive historical coverage that marked previous editions, this new compilation stretches from the earliest attempts to define the cinema to the most recent efforts to place film in the contexts of psychology, sociology, and philosophy, and to explore issues of gender and race. Reorganized into eight sections-each comprising the major fields of critical controversy and analysis-this new edition features reformulated introductions and biographical headnotes that contextualize the readings, making the text more accessible than ever to students, film enthusiasts, and general readers alike. The seventh edition also integrates exciting new material on feminist theory, queer cinema, and global cinema, as well as a new section, "Digitization and Globalization," which engages important recent developments in technology and world cinema. A wide-ranging critical and historical survey, Film Theory and Criticism remains the leading text for undergraduate courses in filmtheory. It is also ideal for graduate courses in film theory and criticism
650		0	_aMotion pictures.
650		4	_aCine _920
700	1		_aBraudy, Leo, _911468 _d1941- _eeditor
700	1		_aCohen, Marshall _911469 _eeditor
856	4	2	_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy0907/2008045137-d.html
856	4	1	_3Table of contents only _uhttp://www.loc.gov/catdir/enhancements/fy0907/2008045137-t.html
942			_2lcc _cBK
946			_adpf