000			02017cam a2200421 a 4500
001			51509
005			20230410130755.0
008			040406s2005 nyu b s001 0 eng
010			_a 2004008050
035			_a(OCoLC)ocm54960092
040			_aDLC _cDLC _dBAKER _dMUQ _dBTCTA _dYDXCP
020			_a0791463915 (hardcover : alk. paper)
020			_a9780791463918 (hardcover : alk. paper)
020			_a0791463923 (pbk. : alk. paper)
020			_a9780791463925 (pbk. : alk. paper)
029	1		_aYDXCP _b2157210
029	1		_aYDXCP _b2157211
029	1		_aNZ1 _b8407288
035			_a(OCoLC)54960092
050	1	4	_aPN1995 _bG495 2005
082	0	0	_a791.43/01 _222
049			_aGRAL
100	1		_aGilmore, Richard A.
245	1	0	_aDoing philosophy at the movies / _cRichard A. Gilmore.
260			_aAlbany : _bState University of New York Press, _cc2005.
300			_axi, 183 p. ; _c23 cm.
504			_aIncludes bibliographical references (p. 163-178) and index.
505	0		_aIntroduction: Wittgenstein at the movies -- John Ford's The searchers as an allegory of the philosophical search -- A the usual suspects moment in Vertigo: the epistemology of identity -- The American sublime in Fargo -- Visions of meaning: seeing and non-seeing in Crimes and misdemeanors -- Oedipus techs: time travel as redemption in The terminator and 12 monkeys -- Into the toilet: some classical aesthetic themes raised by a scene in Trainspotting -- Horror and death at the movies -- Conclusion: the dialectics of interpretation.
650		0	_aMotion pictures _xPhilosophy.
650		6	_aCinâema _xPhilosophie.
856	4	1	_3Table of contents _uhttp://www.loc.gov/catdir/toc/ecip0416/2004008050.html
938			_aBaker & Taylor _bBKTY _c75.50 _d75.50 _i0791463915 _n0006007259 _sactive
938			_aBaker & Taylor _bBKTY _c21.95 _d21.95 _i0791463923 _n0006007260 _sactive
938			_aBaker and Taylor _bBTCP _n2004008050
938			_aYBP Library Services _bYANK _n2157210
942			_2lcc _cbk
994			_aC0 _bDRFGD
999			_c80133 _d80133